Hi, we’re the Previsionnaires — a family of pre-vis artists turning raw ideas into cinematic proof-of-concept films.
We create dynamic, 3D motion previews that help directors, agencies, and production teams sell the vision, test the timing, and move into production with confidence.

No static frames—just real movement, real rhythm, and real results.


Why do you need a previs?

"Because great ideas deserve a dry run."

Partnering with Facebook, our team expertly executed complex subject placements and challenging camera movements to help the director 
              visualize achievable outcomes within environmental constraints. With a particular emphasis on innovative transitions, we created multiple
                shot alternatives, enabling the creative team to confidently select the best path forward, ultimately delivering exceptional results.

"So proud to have worked on this project. Facebook has played a part in my life for years, and to have now played a part in Facebook’s 'life,' as it were, is truly special."

PROJECT: FACEBOOK - WHERE WILL IT TAKE YOU?
CLIENT - META
AGENCY - MOJO SUPERMARKET
PROD CO - RSA FILMS
PROJECT: FACEBOOK - WHERE WILL IT TAKE YOU?
CLIENT - META
AGENCY - MOJO SUPERMARKET
PROD CO - RSA FILMS
PROJECT: FACEBOOK - WHERE WILL IT TAKE YOU?
CLIENT - META
AGENCY - MOJO SUPERMARKET
PROD CO - RSA FILMS
In this captivating Disney commercial, our team brought an adventurous global journey to life through energetic visuals and intricate transitions. 
       Collaborating closely with the director and creative team, we transformed the initial treatment into a dynamic pre-vis,meticulously mapping camera angles,
subject placements, and sophisticated scene transitions. Leveraging flexible 3D environments, we provided opportunities to 
explore creative variations  in shot composition, set design, and lighting.

"Working on this Disney project was a wish come true. I mean, it’s Disney!" – Previsionnaires

PROJECT: DISNEY - GLOBAL VOICES
CLIENT - DISNEY
AGENCY - YELLOW SHOES
PROD CO - RSA FILMS
PROJECT: DISNEY - GLOBAL VOICES
CLIENT - DISNEY
AGENCY - YELLOW SHOES
PROD CO - RSA FILMS
PROJECT: DISNEY - GLOBAL VOICES
CLIENT - DISNEY
AGENCY - YELLOW SHOES
PROD CO - RSA FILMS


PROJECT: DISNEY - GLOBAL VOICES
CLIENT - DISNEY
AGENCY - YELLOW SHOES
PROD CO - RSA FILMS

PROJECT: DISNEY - GLOBAL VOICES
CLIENT - DISNEY
AGENCY - YELLOW SHOES
PROD CO - RSA FILMS

Participating in this impactful Toyota commercial was an exceptional experience. 
Our pre-vis work emphasized meticulous match cuts, precise transitions, and careful timing. Working
with the director we cut what ended up being the DC previs first, followed by the client previs.

This provided clarity and direction to the director, production team, and client, ensuring that their 
final vision was accurately captured and compellingly portrayed.

CLIENT - TOYOTA
PROJECT - TRAINING WHEELS
AGENCY - BURRELL
PROD CO - RSA FILMS
Participating in this impactful Toyota commercial was an exceptional experience. 
Our pre-vis work emphasized meticulous match cuts, precise transitions, and careful timing. 

This provided clarity and direction to the director, production team, and client, ensuring that their 
final vision was accurately captured and compellingly portrayed.

CLIENT - TOYOTA
PROJECT - TRAINING WHEELS
AGENCY - BURRELL
PROD CO - RSA FILMS
CLIENT - TOYOTA
PROJECT - TRAINING WHEELS
AGENCY - BURRELL
PROD CO - RSA FILMS
CLIENT - TOYOTA
PROJECT - TRAINING WHEELS
AGENCY - BURRELL
PROD CO - RSA FILMS
CLIENT - TOYOTA
PROJECT - TRAINING WHEELS
AGENCY - BURRELL
PROD CO - RSA FILMS
For GT Bank’s Fashion Week spot, we meticulously focused on leveraging environment design, precise set layouts, and deliberate actor positioning to showcase 
seamless scene transitions. Incorporating detailed set elements into our pre-vis allowed the director’s vision 
to move fluidly from concept to the final cut.

PROJECT: GT BANK -FASHION MOVES FORWARD
CLIENT - JM FILMS
PROJECT: GT BANK -FASHION MOVES FORWARD
CLIENT - JM FILMS
PROJECT: GT BANK -FASHION MOVES FORWARD
CLIENT - JM FILMS
PROJECT: GT BANK -FASHION MOVES FORWARD
CLIENT - JM FILMS
This music video project for Rema was particularly thrilling, as we collaborated closely with the director, production, and VFX teams. 
Our objective went beyond basic camera and subject positioning; we integrated advanced VFX elements directly into the pre-vis, streamlining the 
presentation process and vividly illustrating the project's vision to stakeholders

PROJECT: REMA - TROUBLEMAKER
CLIENT/PROD CO - JM FILMS
PROJECT: REMA - TROUBLEMAKER
CLIENT/PROD CO - JM FILMS
PROJECT: REMA - TROUBLEMAKER
CLIENT/PROD CO - JM FILMS
PROJECT: REMA - TROUBLEMAKER
CLIENT/PROD CO - JM FILMS

The Previsionnaires

Contact Us

hello@previsionnaires.com
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At Previsionaires  we’re a family of pre-vis artists bringing bold ideas to life—before the cameras rolls and before the spend gets serious.. We create high-impact previsualisations that give directors, agencies, and production teams the power to test, tweak, and sell their vision with confidence .

From dynamic transitions to camera choreography and timing, our work brings the bones of a commercial to life—fast. It’s not about polish, it’s about proof. A tool to align teams, win over clients, and de-risk big production spend.

We’ve partnered with top global agencies and production companies, helping them pitch smarter, plan better, and move faster. For anyone who’s ever said “trust the vision”—we make it real.








FAQ

Q: How long does it take to complete a Pre-vis project?
A: Our standard turnaround time is between 5 to 7 days, depending on the complexity and scope of the project.

Q: How many revisions are included in your service?
A: We offer up to 3 rounds of revisions to ensure the final Pre-vis accurately captures your vision and meets project requirements.

Q: Will the Pre-vis be photorealistic?
A: Our Pre-vis is not intended to be fully photorealistic. Instead, it is designed as an accurate visual representation focused on timing, camera movements, and subject positioning. It provides a clear understanding of how the final shots will flow, rather than delivering production-quality visuals.

Q: What aspects of production does your Pre-vis typically cover?
A: Our Pre-vis focuses primarily on demonstrating camera movements, transitions, subject placements, scene timing, and occasionally includes rough set design and basic lighting setups to guide the creative team effectively.

Q: Can additional revisions or changes beyond the initial agreement be accommodated?
A: Additional revisions beyond the included 3 rounds can be accommodated upon request, subject to further discussion and additional fees as applicable.

Q: What materials do you need from clients to start the Pre-vis?
A: To begin, we typically need a detailed treatment, storyboard, script, and any key visual references you have available. The more detailed the initial material, the more precise our Pre-vis can be.

Q: Can your Pre-vis integrate with other post-production workflows?
A: Yes. Our Pre-vis files can be exported in formats compatible with common editing and VFX software, streamlining integration with your broader production pipeline.

Q: Do you offer rush services for quicker turnaround times?
A: Rush services can be provided on request, subject to availability and additional costs. Contact us directly to discuss your specific needs.

Q: In what format will the final Pre-vis be delivered?
A: We typically deliver Pre-vis as high-quality video files (MP4 or MOV), but other specific formats and assets (such as raw project files or still frames) can be provided upon request.

Q: Can your Pre-vis help with budgeting or production planning?
A: Absolutely. By clearly visualizing shots, transitions, and camera setups, our Pre-vis can help identify production efficiencies, potential cost savings, and logistical planning considerations ahead of filming

PROJECT: DISNEY                   PROJECT: GT BANK

                    PROJECT: REMA                   PROJECT: TOYOTA